All posts by mikeandpaulsmusicblog
Song of the Day 7/20/18 “Cadillac Ranch)
What’s that you say? You need a song to celebrate the end of the work week and the start of the weekend?
Maybe Bruce can help.
What’s that song from that movie that I liked?
Music and movies have always had a connection , even in the early years of cinema. The very first movies were silent but had music as a soundtrack. Some films, when shown in the theater, were accompanied by musicians playing live. Directors recognized even then that music could be used as an instrument to create atmosphere and evoke emotion. Many of our greatest films can be identified by only a few bars played from their musical score.
Filmmakers in the last 50 years or so have increasingly used music in their films that was not specifically written for that purpose. In essence, these filmmakers have become curators pulling together sometimes disparate songs with the overall goal of creating atmosphere, setting the mood and even advancing the plot.The tone of the movie Trainspotting was undeniably set with it’s iconic opening scene of three Scottish hoodlums running through the streets to Iggy Pop’s “Lust for Life”.
While not one of my favorite movies, I can’t deny that the opening scene of Saturday night fever and the song “Staying Alive” were made for each other. The soundtrack of Saturday Night Fever was produced with the movie in mind but it was also a stand alone album that could’ve been released on his own without the existence of the movie.
Many movies over the years have made extensive use of popular music with varying degrees of success. The best ones have managed to choose songs that complemented the action taking place on screen without distracting from it.
Two of my personal favorites are “Almost Famous“ and “High Fidelity”.
Almost Famous is a semi- autobiographical, part fact, part fiction retelling of young Cameron Crowe’s experience as a 15-year-old who manages to get an assignment from Rolling Stone magazine to tour with and write a profile on a young up-and-coming rock ‘n’ roll band. What results is a chronicle of a rock tour and a coming of age story in the early 1970’s world of rock ‘n’ roll excess. The movie is filled with music from that era without using the most obvious choices. One of the most memorable scenes takes place on the tour bus after a night of hard partying by the lead guitarist jeopardizes the tour. The film muses artists including the Who, Led Zeppelin, Elton John, Todd Rundgren, the Beach boys, Simon & Garfunkel, David Bowie covering Lou Reed and even Thunderclap Newman.
High Fidelity tells the story, adapted from the book written by Nick Hornby, of the owner of a store called Championship Vinyl, played by John Cusack. It’s the story of his journey from a string of failed romances to an actual grown-up relationship told in the format of “my top five break ups”. Every music nerd has engaged in the discussion of “my top five albums”, “my top five songs”, etc. This movie uses that device extensively. The music often takes center stage but does it without crowding out the story or the characters. It varies from classic Stevie Wonder to more obscure modern rock and punk; Dylan,The Kinks, Velvet Underground, Stereolab, the Beta band, Aretha Franklin, Elvis Costello and the Attractions and the Jam to name a few.
As an added bonus, there’s even a brief cameo by Bruce Springsteen. It also doesn’t hurt that Jack Black is hilarious.
What these two movies have in common, aside from both being among my top five all-time favorite films, is that the creators of these films happen to obviously love music. The music in both of them is practically a supporting actor
Another movie worth mentioning is Empire records from 1995. It’s the story of a day in the life of an independent record store staffed by a bunch of misfits and oddballs. I mention it not because it’s a good movie, far from it. It’s actually a terrible movie. It has plot holes you can drive a semi through, exposition that appears out of nowhere and then disappears without further exploration, and moments of high drama that have no place in a movie this lightweight. So naturally, I’ve seen it at least five times. Why? Because the soundtrack is actually half decent. It’s got some Dire Straits, AC/DC, some more obscure but interesting music and a surreal performance of a punk pop song called “Sugar High” by a very young Renee Zellweger at the climax of the movie. Music is truly the glue that holds this rambling wreck of a movie together. Oh, Liv Tyler is also in it and for me that always increases the odds of a repeat viewing.
Of course, there are many movies that have fantastic soundtracks; Apocalypse now, Forrest Gump, Good Morning Vietnam and Pulp Fiction, to name a few. Tom Hanks, as producer of the movie “That Thing You Do”, actually pulled off an amazing feat. He told the story of a fictional one hit wonder band in the early 1960s touring with a bunch of other artists of that era. He managed to do it with almost all original music made by fictional singers that sounded like it was written in 1962. This movie also has the distinction of being one of only a few movies I can put on at my house when no one can agree on what to watch and everyone will be happy.
(Liv Tyler is in this one too)
Music and TV shows have also been a good match. Many shows have used music to their advantage and done it well. The West Wing and the Newsroom, both created by Aaron Sorkin, have memorable episodes which included music from a number of different artists. In the second season of The West Wing, the season finale climaxed with the Dire Straits song, “Brothers in Arms”. That episode remains one of the creative peaks of a show with many creative high points.
The Newsroom used the Coldplay song “Fix You” early in the first season at a pivotal moment in the arc of that first season’s story line. (It’s a 7 minute clip but worth the time)
The Who’s “Baba O’Riley”Provided the soundtrack to the most important segment of the season finale.
Actor and director Zach Braff takes enormous interest in the music in his projects. The show Scrubs used music extensively to the point that two albums worth of music from the soundtrack were release. In his first movie that he starred and directed in, “Garden State”, also incorporated music extensively and resulted in an album soundtrack.
A good soundtrack in a movie or TV show almost always gets my attention. At its best the music makes a good story even better. I’ll even put up with the flaws of a bad movie if the music is good. Only the combination of bad movie, saddled with bad music, will send me running for the exits or changing the channel.
Or, you can just make the movie about Johnny Cash.
Song of the Day 7/19/18– the wet secrets “I can swing a hammer “
catchy song from an unusual Canadian band I heard on a random Spotify playlist. Now Wendy (my wife) loves it. This is for you Slim!
Bruce news!
“Springsteen on Broadway” coming to Netflix
“Springsteen on Broadway” will launch globally on Netflix on December 15, 2018, which is also the final night of Springsteen’s completely sold out 236-show run at Jujamcyn’s Walter Kerr Theatre on Broadway. “Springsteen on Broadway” is a solo acoustic performance written and performed by Tony Award, Academy Award, and 20-time Grammy Award winner Bruce Springsteen. Based on his worldwide best-selling autobiography ‘Born to Run,’ “Springsteen on Broadway” is a unique evening with Bruce, his guitar, a piano, and his very personal stories. In addition, it features a special appearance by Patti Scialfa. The evening has received rave reviews in top media here and abroad.
“Springsteen on Broadway” is written by Bruce Springsteen, and directed and produced by Emmy Award-winner Thom Zimny (“Bruce Springsteen and the E Street Band: Live in New York City (2001)”). In addition to Zimny, the film is being produced by the same team that produced “Springsteen on Broadway,” including Springsteen manager Jon Landau, Springsteen tour director George Travis, and Landau Management partner Barbara Carr.
Said Ted Sarandos, Chief Content Officer, Netflix: “We are thrilled to bring Bruce Springsteen — a master storyteller, humanitarian and voice of the everyman — to Netflix in this historic one man show. This groundbreaking experience defies the boundaries of theater, concerts and film and will give our global audience an intimate look at one of the biggest cultural icons of our time.”
Said Springsteen manager, Jon Landau: “The purpose of the film is to bring this incredibly intimate show to Bruce’s entire audience intact and complete. In addition to its many other virtues, Netflix has provided for a simultaneous worldwide release which is particularly important for our massive international audience. Ted Sarandos and the entire company’s support has been a perfect match for Bruce’s personal commitment to the filmed version of ‘Springsteen on Broadway.’”
Bruce Springsteen’s historic sold-out series of performances of his one man show “Springsteen On Broadway” began previews on October 3, 2017 and officially opened October 12. The show was extended three times after its initial eight-week run, and will close on Broadway on December 15, 2018, bringing the total number of performances to 236.
July 18,2018 Motörhead (seriously?)
First let me say I’m not a Motörhead hater, just never listened much. Then I stumbled on this David Bowie cover and I was skeptical but wow, this really works. This is from an entire album of covers and one of the last things they ever recorded.
80s Remix?
This is the stuff of nightmares.
Harry Chapin
A really nice remembrance of a great artist from my friend Kevin Fura
“I meant to post this yesterday on the 37th anniversary of his death. I had the opportunity to see Harry Chapin perform only once in my life. It was early 1980 at Allentown Symphony Hall in Allentown, PA. I went there expecting a fine performance and left with much more. Harry’s plane was late and the show started with a 30-45 minute emergency performance by Tom Chapin. He was so entertaining that nobody really noticed the time. Suddenly a roar came through the crowd as Harry ran through the center row, guitar in hand, and jumped up onto the stage. He was very apologetic and promised an extra long performance that evening. All of the standards were covered plus some obscure tunes. It was just Harry and Tom, the band was not with him that evening.
Toward the end of the concert, Harry announced that they would be available after the show to sign autographs, pitch his causes, and just bullshit. Needless to say I waited after the show to meet him. Tom and I had a long conversation about the status of the New York Knicks and he graciously provided me with an autograph. After waiting for a little while, I got a chance to meet Harry. Words cannot express the kindness he provided in making small talk and signing an autograph. The most remarkable thing was the lack of bodyguards or any entourage, it was just Harry, Tom, and their fans. I still have the autographs. Harry’s is matted with a photo from the “Heads & Tails” album. I will never forget that evening and will always “remember when the music”.
Song of the Day July 17 George Ezra “Paradise”
George Ezra is a 25 year old (!) English songwriter who had some fame a few years back with the song Budapest. This past spring he put out his second album, Staying at Tamara’s, which raised his craft to an entirely new level. So many great songs on this album, hard to choose one. But Paradise is definitely a pleaser!
July 17
July 17
1965, ‘Papa’s Got a Brand New Bag’ by James Brown is released. It goes on to sell over 2 million copies, and is considered seminal to the emergence of funk music as a distinct style.
1975, Bob Marley and the Wailers start a two night stand at The Lyceum, London, performances of which appear on a live album released later that year. The single off the album was ‘No Woman No Cry.’