Tag Archives: Elvis Costello

Roy Orbison – Running Scared

I’m participating in HansPostcard’s 2021 Song Draft. Here’s my 7th round pick.

Ok so far during the draft, I have 3 songs from the 1970s, 2 from the 1980s, and 1 from the 1990s.  Time to go back, to the foundational times, and feature a song by, for my money, one of rock and roll’s best voices ever – Roy Orbison.  Orbison’s voice seemed otherworldly at times, and gave his songs an added power emotion that would exist with someone else singing it.

While there are any number of songs I could feature, I have always loved Running Scared.  It was released in March 1961, and went to #1 on the Billboard Hot 100 chart, #9 on the UK Singles chart.

 Written by Orbison and his songwriting partner Joe Melson, the song is a great example of the kind of melodramatic mini-opera type song that Orbison excelled at.  Its unusual in that it has no chorus, and begins in a bolero style, with the insistent guitar strumming immediately setting the tension of the song.  The singer is with his girl but is “running scared” that her former lover is going to show up and steal her away. As AllMusic puts its: “The keys to the building tension of “Running Scared” are the mounting layers of instrumentation to the arrangement, as orchestral instruments and backup voices slowly pile on over the first few verses to create an atmosphere of growing suspense.”  You can feel the singer’s anxiety building, his insecurity about his status with his girl evident in his voice.  Then the climax of the song, as his worst fears are realized, and there in front of them stands the former lover.  What will his girl do?  The music builds to a crescendo as she makes her choice.  It’s a testimony to the power of Orbison’s powerful vocal performance that even though the lyric’s rhyme scheme kind of gives it away (“be” doesn’t rhyme with “him”), you aren’t totally sure what’s going to happen until the final line (“ You turned around and walked away with me.”  A life time’s worth of drama, all in 2 minutes and 15 seconds!

A couple of interesting facts I discovered while researching the song, all according to Songfacts – Orbison and Melson claim they wrote the song in 5 minutes. The recording engineer for the session gave the song an exaggerated dynamic range – while most songs of that era had a range of 3 decibels, Running Scared had a range of 24 decibels. 

This was the last song Roy Orbison ever sang live. As was his usual habit, he closed his December 4, 1988 show with Running Scared, just two days before his sudden passing from a heart attack on December 6.

As an added bonus, I’ve also included a clip of Orbison performing Running Scared live as part of A Black and White Night, a 1988 concert film that featured Orbison backed by an all star band, and I mean all star – Elvis Presley’s TCB band, along with Bruce Springsteen, Elvis Costello, Tom Waits, Jackson Browne, J.D. Souther, k.d. lang, Jennifer Warnes, Bonnie Raitt, among others.  It gives you a sense of Orbison’s incredible talent to hear him sing the song live, and its also a kick to see all these famous musicians in the background and happy, in fact honored to be backing Orbison.

Digging in the Garage Episode 3

Digging this feature back out after a few starts last year.  This is where I feature favorite classic picks and new finds in garage rock, inspired by the Nuggets compilation and Little Steven’s Underground Garage.  Here’s a link to the original post that has more details on the idea.

First up, The Knickerbockers – One Track Mind

The pride of Bergenfield NJ, the Knickerbockers formed in 1962 – their classic line up consisted of brothers Beau Charles (guitar and vocals) and John Charles (bass and vocals), Buddy Randell (vocals and sax), and Jimmy Walker (drums).  They got their name from a road that ran through an adjacent town.

I featured their top 20 hit Lies, from 1965, in a Song of the Day back in September of last year. One Track Mind came out in 1966, and didn’t do as well (#45) due to distribution problems.  Both songs have great pop melodies reminiscent of the Beatles.

 

Next up, Big Star – When My Baby’s Beside Me

Big Star (Alex Chilton (guitars, piano, vocals), Chris Bell (guitars, vocals), Jody Stephens (drums, vocals), and Andy Hummel (bass guitar, vocals)) formed in 1971 in Memphis, and before breaking up in 1974, released a series of albums that served as a blueprint for power pop music for decades to come.  They were one of those bands that never really achieved commercial success at the time but in retrospect were hugely influential, cited as an inspiration by REM, the Replacements, as well as many others.  When My Baby’s Beside Me is off their 1st record, aptly names Number 1 Record.

 

Let’s go overseas to Scotland and The Marmalade’s I See The Rain

As I’ve mentioned, one inspiration for these posts is Little Steven’s Underground Garage.  Usually, the 4th set of the show features what Steven calls a “slightly psychedelic” set.  While I’ve never really been into that genre very much, I did hear this song for the first time on the show and really loved it (and to be honest, it is really only slightly psychedelic!).  I especially like the guitar line, the harmony vocals, and the making the best of the situation ethos of the lyrics.

The Marmalade were from Glasgow Scotland, having first formed in 1961 and going under several other names before settling on The Marmalade in 1966.  Members included Patrick Fairley (vocals, 6 string bass/rhythm guitars), William Junior Campbell (vocals, guitars, keyboards), Dean Ford (lead vocals, guitar, harmonica), Raymond Duffy (drums), and Graham Knight (vocals, bass).  I See the Rain was released in 1967 (and topped the charts in the Netherlands) and was also on their 1968 album There’s Alot of It About.

 

Cotton Mather – Lost My Motto

While I have mostly focused on classic garage from the 1960s, there are many great garage bands still keeping the flame alive.  Here’s another great one that I discovered on the Underground Garage.

Named for the 17th century Puritan preacher, Cotton Mather formed in 1990 in Austin TX, and consisted of Robert Harrison (guitar and vocals), Whit Williams (guitar and vocals), Matt Hovis (bass) and Greg Thibeaux (drums).  Weaving in influences from the Beatles to early Elvis Costello, they play great guitar power pop.  This cut, Lost My Motto, from the 1994 album Cotton Is King, also has a distinctly Squeeze like feel.  As of 2017, they were still active.

 

Well, time to roll the garage door down for now.  Til next time…..

 

Sources: Wikipedia