Tag Archives: Paul McCartney

Worst songs ever _mikes list

Ok we’ll start with the admission that we can be snobs when it comes to music. With that in mind , Paul and I decided to compile a list of some of the worst songs ever .  I suppose beauty is in the eye of the beholder so our apologies if we offend anyone. Feel free to offer additions (or defenses) if you choose.  Mike’s requirements for his list:

  • the song needs to have been at least a modest hit
  • done by an established artist (people who should know better)
  • no 1 off novelty songs
  • extra credit for bad songs from artists who’ve done otherwise good work
  • no Christmas songs. That’s a special list we’ll do in December

 

I start with a twofer because these two bands are the same band.  The level of “look how sensitive I am” is staggering. Creed is sensitive in the “I’m spiritual but not religious” kind of way.  Nickelback  is sensitive in a “high school jock who just got high for the first time” kind of way.

 

 

This bit of lyrical magic should explain the inclusion of this hit should explain its inclusion

           “And I try

        oh my God,

 do I try!

Try all the time

in this institution”

Starship is like a great TV show where they kill off your favorite characters, the main writer quits and the Network CEO’s screwup nephew gets to write, direct and star in an episode.   80’s Schlock at its best

Special mention for bad duets. Incredible because this one includes two first ballot rock and roll Hall of Famers.

*Extra credit for this lyric video which tells us who is singing which lyrics (because no-one can tell the difference between their voices) and manages to spell Michael wrong  EVERY SINGLE TIME.

The first song I thought of when started to make this list. Exemplifies everything about what was ,ummm ,  not so good about a lot of 80s music.

 

If music video is supposed to bring the artist’s vision from audio to the visual world, I’d hate to see what else was going on in Dennis DeYoung’s brain when he wrote this song for Styx.

 

I. CAN’T. EVEN.

Where to start. 80s pseudo- metal hair bands could fill this list but I’ll choose this representative gem from Warrant. The lyrics, if you choose to pay attention, have what I think is supposed to be sexual innuendo ( as envisioned by horny 9th grade boys)

 

In the “I can’t , I won’t and you can’t ” category we have…..

 

I’m riding Paul’s coattails on this one with the Grammy screw ups…….. but uggh….. this one annoys me.

Chris Cross won best new artist  in 1981 at the Grammys over the Pretenders, Best Album, over The Wall by Pink Floyd, Billy Joel and Frank Sinatra, Best Record over New York, New York by Sinatra

*(oh and by the way , the Clash released London Calling that year. “Why theGrammys Suck” , could be a future column. Stay tuned.)

 

Billy RayCyrus should be on this list if only for owning some responsibility for popularizing the mullet.

Today in Music History July 27

1944 Today is the birthday of Bobbie Gentry, US singer and songwriter, whose song ‘Ode to Billie Joe‘ came out of nowhere in 1967 and knocked the Beatles (All You Need is Love) out of the #1 spot on the US singles chart.  She was one of the first female country artists to compose and produce her own material.  ‘Ode to Billie Joe’s Southern gothic story line left listeners with a mystery – what was thrown off the Tallahatchie Bridge and who was with Billie Joe.  The song was Gentry’s only hit.  For more on the song and the artist, check out this Rolling Stone story.

 

1974 Paul McCartney‘s post-Beatles group Wings started a seven-week run at No.1 on the UK album chart with Band On The Run. The two singles off the album, ‘Jet’, and ‘Band on the Run’ helped the album become one of the top selling albums of 1974.

 

1976 Bruce Springsteen sued his manager Mike Appel for fraud and breach of trust in a attempt to get out of his contract with Appel’s Laurel Canyon Ltd.  Appel in turn counter sued Springsteen, leading a judge to issue an injunction against Springsteen being able to record.  Coming on the heels of the success of Born to Run, this was potentially disastrous for Springsteen’s career.  The case dragged on for over 10 months, resulting the year after in an out of court settlement giving Springsteen control of his recordings and career.  But Springsteen’s next album, Darkness on the Edge of Town, wasn’t released until 1978, and showcased a much different writing style than Born to Run.  Gone were the sweeping musical and lyrical epics, replaced with tighter, sparer, grittier character portraits.

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Sources: This Day in Music.com; Wikipedia.